Laura Marling – Semper Femina | Review

Image result for laura marling semper femina

Possibly the best Laura Marling album since I Speak Because I Can, this gem of an album focuses on female or feminine relationships and experiences with each other and melancholy.

If Alas, I Cannot Swim is perceived as establishing Marling’s tone, and Once I Was An Eagle as challenging this with incorporating rock elements and interludes, this album fuses the two.

The steady and jazz-like riff running through the bass of ‘Soothing’ set the tone for a relaxing yet thought-provoking album. The modulation and use of strings in the chorus is a charming surprise.

The use of drums and confident guitar in ‘Wild Fire’ and ‘Nothing, Not Nearly’ matches the confident female-empowering lyrics throughout the album.

In ‘Nothing, Not Nearly’ the electric guitar’s syncopation, and rambling lyrics develop a folk-like mismatch of syllabic beat and musical beat:

We’ve not got long, you know
To bask in the afterglow
Once it’s gone it’s gone
Love waits for no one

Overall, the album uses elements of folk, rock and jazz to marry musical freedom and feminist poetry.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s